It's produced in the style of ''crunk," simultaneously throbbing and slinky music that was made popular by Lil' Jon. This collaboration produces some hilarious, sweaty home-studio recording sessions that culminate with the birth of a likely hit song. Very soon his ambition to rap is realized with the help of Key and a gangly white musician named Shelby (DJ Qualls), who stocks snack machines 9 to 5. In this sense, he's learned a great deal from the movie's co-producer and chief champion, John Singleton, whose own South Central Los Angeles melodramas have perfected the male-to-female shout-down.Īs an escape from his home life, DJay twiddles on the cheap little keyboard he got from a junkie.
HUSTLE AND FLOW CAST MOVIE
The movie tries to dramatize this domestic headache, but writer-director Craig Brewer's idea of living-room drama consists of ear-splitting, expletive-heavy screaming matches between man and woman that no one seems to win. They turn tricks for DJay, leaving him with a nagging problem: Every night, he has to come home to his work. He shares a house with a feisty woman named Lexus (Paula Jai Parker, who's terrific), a dim, white one named Nola (Taryn Manning), and a pregnant, mousy one named Shug (Taraji P. He wants to be saved.īut his day-to-day problems are more mundane. DJay sits in a pew and is moved to tears. DJay drops in on him, recording in a church, where a woman powerfully sings opera-laced gospel about Jesus and salvation. One afternoon, DJay runs into Key (Anthony Anderson), an old acquaintance and a devout Christian who works as a sound engineer. He curses up a storm and wraps his twang around a word like ''man" until it is two or three times its usual length. He never leaves the house without a long white tank top hugging his rangy trunk.
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The character wears his hair slicked back in a press-and-curl. He plays DJay, a man whose lines of work provide food for his makeshift family, but they feed his soul. ''Hustle & Flow" is the biggest vehicle yet, though hardly the best, for his talents. He brought an electrically sinister note to a friendly card game in a romantic comedy called ''The Best Man," and he was very sharp in an implausible part as a ticked-off executive in ''Crash," the overwrought drama that came out this spring. Howard can usually be counted on to be the most magnetic presence in most of the nothing roles he's usually offered. Still, most will agree that Terrence Howard's acting as the hustler hero is remarkable. Some will rightly find it corny, absurd, and an insultingly limited presentation of options for the most disenfranchised African-Americans: I'm still waiting for the movie fantasy about the pimp who wants to get his GED. Some will find it chicly inspired, recalling blaxploitation's heyday with its grimy urban realism.
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HUSTLE AND FLOW CAST FULL
Full of cuss words and trips to nudie bars and jail, ''Hustle & Flow" is ultimately a lot more familiar: an odds-beating tale of redemption and dreams come true. ''Hustle & Flow" is the story of a drug-dealing North Memphis pimp, his ambitions of rap superstardom, and, of course, his hos.Īudience members at this year's Sundance Film Festival left screenings in a dazzled tizzy, and the movie was sold for a lot of money.